Marvel Puts Mohawks on Screen

By Isaac White.

Marvel Studios has taken a significant leap in diversifying its narrative landscape, as revealed in a recent interview with Doug George. In a groundbreaking initiative, Marvel's "What If..." series is set to introduce an indigenous lead character, specifically a Mohawk woman, a first of its kind in the Marvel Universe.

The inception of this project dates back to 2020 when Marvel producer Ryan Little reached out to George, drawing upon a mutual connection with Syracuse University and the late film lecturer, David Coryell. Little's idea was to expand the series to encompass indigenous perspectives, a concept that immediately resonated with George.

George shared some insights for the story, rooted in the historical interactions between the Spanish conquistadors and Native peoples. He noted that the presence of Spaniards in or near Mohawk territory in the 16th century was well-known, along with their pursuit of the mythical "fountain of youth" or a portal to enter other waters. This backdrop of the Spaniards' search for mythical portals and their brutal history with Native peoples is a critical element of the story. George emphasized the non-linear conception of time and space in Indigenous teachings, integrating these elements into a narrative that places the Mohawk territory at the center of a cosmic crossroads.

The decision to center the story around a Mohawk woman was pivotal. For George, it was crucial to portray the strength and vitality of Mohawk women, who are not merely passive figures but active defenders of their communities and the natural world. This character, named Kahhori, is envisioned as an inspiration for women globally, embodying power as defined by natural law.

Incorporating elements of Mohawk culture and history was essential to the show's authenticity. George highlighted the inclusion of authentic Mohawk language dialogue, traditional Iroquois clothing designs, and especially the use of blue jay feathers, which serve as a symbol to warn the community of impending dangers or significant events. These elements, along with wampum designs, not only add depth to the narrative but also give the film a historical grounding.

A critical point raised by George was the typical Hollywood portrayal of Native Americans. He noted that almost invariably, Native characters in mainstream films are depicted as needing salvation from white characters. This Marvel project, however, promises to change that narrative, offering a rich, multifaceted portrayal that transcends these clichés.

In his concluding remarks, George expressed profound appreciation for Marvel's willingness to embrace Indigenous heroes who speak their own language and stand unflinchingly against colonial intrusions. He highlighted the uniqueness of depicting the beauty of their lands and people at the time of first contact, living lives defined by ancestral values.

The inclusion of his late wife, Joanne Shenandoah's, music to set the film's tone adds a deeply personal and culturally resonant layer to the project. George sees this collaboration as a demonstration of what can be achieved through respect and partnership. He anticipates that this portrayal will permanently alter the perception of the Mohawk people, illuminating them in a new and enduring light.

Marvel's initiative, as detailed by Doug George, is not just a storytelling endeavor; it's a bold statement in the world of entertainment. It's a testament to the power of respectful collaboration and an acknowledgment of the rich tapestry of indigenous narratives that have long awaited their turn in the global spotlight.